ATCs: Slow Food

"Just Green Beans"
Seed to table in 10 weeks.

The May Artist Trading Card (ATC) theme was "Slow Food."

The concept of slow food was established in 1986 as an alternative to fast food. The Slow Food movement encourages the growing, cultivation and harvesting of seeds, plants and livestock of local and regional ecosystems. It promotes the idea of sustainable foods and strives to support the local small businesses that grow and harvest these foods.

So, for the moment, abandon the idea of frozen dinners, drive-thru restaurants, and microwave ovens. Slow food is more about "food to table in 10 weeks"...  rather than 10 minutes.

Just sit back, relax, and take your time perusing these Slow Food ATCs.

"Slow Food"

"Slow Food"
Catch it... Clean it... Fry it...

"Slow Food. Gotta wait 'till I catch it."

"Escargo"

"Cooking Food Slow in a Slow Cooker."

We also have some colorful "food for thought"...

"Slow Food (for thought)"

Here is the back of "Slow Food (for thought)." What IS she going to do with all her new toys? Ooooh, the possibilities...

Quilting a big quilt on a home sewing machine

I am often asked, "what brand of long arm quilting machine do you use for free-motion quilting your quilts?" 

The answer: I don't have a long arm. I quilt my quilts (and quilts for others) on a home domestic sewing machine. 

In my Intro to Free-Motion Quilting and Beginning Quilting classes, students also ask, "how do you quilt a large quilt on your sewing machine?" I just completed a king size quilt—a 108" x 120" quilt top—for a customer.  I hope the following photos will give you some insight into the answer to these questions. 

5 Easy Pieces quilt. King size, 108" x 120".

This quilt top was made by a student who took my 5 Easy Pieces quilt class. The class project was a 40" x 48" lap quilt, but it can be made any size you want if you just make more blocks. This quilter did. She also added 3 borders.

The first crucial step to quilting a large quilt (or any size, for that matter) is careful basting.

Basting the quilt sandwich. 

I pushed two 5-foot banquet tables together against a sewing table that has 2 fold-out extensions. You want as much surface area as possible to tape down the backing fabric. I use masking tape or painters tape to hold down the backing fabric (wrong side up). If the backing is longer than the table or work surface, I tape the excess fabric to the underside of the table.

Layer the batting and top on the backing. Smooth out the batting so there are no wrinkles. Smooth out the quilt top, keeping borders and any critical areas straight and square. Ease in any fullness. I pin baste with size 1 basting (safety) pins (pins measure about 1-1/8" long). The basting pins are placed about a fist apart, or closer in critical areas such as narrow borders.

Reposition the quilt sandwich and continue to baste the unabated areas.

When one portion of the quilt is basted, remove the masking tape and shift the quilt sandwich so you can baste the remainder. I had to shift from left to right and also top to bottom to completely baste a quilt of this size. After basting, this is a good time to turn the quilt over to make sure there are no tucks or pleats in the backing fabric.

Here is my sewing machine set up. I use a Janome 6500 to quilt my quilts. It's important to have as much contiguous surface area next to your machine on which to hold up the quilt while you quilt.

Work space setup for quilting.

Below is the same set-up with the quilt sandwich in the machine. When I am sitting at the sewing machine, the quilt is fluffed up around the area that is being stitched. It's like a big "quilt nest." Part of the quilt (if it is big like this one) is up on my chest as I work on it. I have a goose neck light that can be positioned where needed.

Quilting the quilt.

Work from near the center of the quilt and work outward toward the borders. Below shows the center section quilted.

Center of the quilt is quilted.

The fabric for the backing was a wide back. The quilter chose a mottled solid. The quilting shows well on solid or reads-as-solid fabrics.

Center section quilted. Back view.

The center was quilted with freeform feather motifs. My friend Margo suggested a scrolling motif for the yellow inner border. Shown below is my interpretation of her idea, flanked by in-the-ditch stitching on both sides. The outside border has another freeform motif. I took a cue for this design from the print in the batik fabric. 

Center and border quilting designs. Front and back views.

Here are more close-ups of the quilting designs.

Center section with 5 Easy Pieces blocks. 10 x 12 layout.

Center section with view of 3 borders.

Quilt Stats:
40 wt. and 50 wt. 100% long staple cotton on top [YLI, Superior King Tut, Wonderfil, Valdani];

7 different variegated threads on top, 1 solid for the yellow border;

Clear MonoPoly [Superior] thread for ditch quilting;

60 wt. polyester Bottom Line [Superior] thread in bobbin;
3 color changes for bobbin threads.
Batting: 100% cotton Tuscany by Hobbs
12 bobbins used. Finished (after quilting) size: 103" x 116".

Bobbin color changes. Quilt center (left), yellow border (center) and outside border (right).

Leaf and feather motifs.

Completed quilt. Finished quilted size: 103" x 116"

So, here it is, ready for delivery to the customer. 

• Quilting a quilt like this takes lots of room and table area for basting and an adequate surface area around your sewing machine to support the quilt while quilting.
• I use bed risers to elevate my basting tables and the card table next to my sewing cabinet. This will minimize bending over and your back will thank you.
• It takes patience to quilt a piece this size. It is somewhat unwieldy in the early stages of the quilting, especially when moving the quilt sandwich from the basting tables to your machine. Once large portions of the center are quilted, it becomes more manageable. 
• It also requires some muscle. A quilt this size is heavy and gets heavier as it is quilted. 

When you have some machine quilting experience under your belt. You can work your way up to quilting larger size quilts. It can be done. Comments? Questions?

Value and Color quilting class

Quilt makers—especially those who adore scrappy quilts—have a saying that goes, "Any color will work as long as the value is correct." My Bright Lights, City Nights quilt class, taking place Friday, May 18, offers students a lesson on color and value, along with a fabric scrap exchange opportunity and instructions for making this great scrappy quilt.

Bright Lights, City Nights
quilting class

Value, along with line, shape, texture and color are the elements of design. Value also affects contrast, unity and repetition and can provide sparkle, drama, depth and interest to your quilts.

For quilters who want to explore color and value in their quilt making, making a scrappy quilt provides numerous opportunities. Come and experience the play between these two design elements—color and value—and create this quilt in a wall, throw or bed size.

Limited seating is still available. Contact Chattanooga Sewing at 899-3664 to reserve a space.

Ruffles, Diamonds and other yarn creations

We had lots of fun and laughter at my demonstration on self-ruffling yarn. This scarf is a quick, one ball project that doesn't require a lot of concentration—except for keeping those 8 or 9 stitches on the needles. We used Spectra by Universal Yarn for this fun project. Two of my students model their creations.

Left: Marie used Spectra Volcanic.
Right: Irene models Spectra Larkspur Glen.

One of the Diamond Girls, Sue, completed her mitered diamond vest, the project she chose in my Mitered Diamond Adventure workshop. She added a knitted band along the collar and sleeve edges of her piece. A hook and eye closure completed the look. It turned out fabulous!

Vest from my Mitered Diamond Adventure knitting workshop. 

My Knitting in the Round students are looking fashionable in their completed Retro Cloches with a knitted  flower embellishments. 

Student projects from Knitting in the Round class.

Here are other yarny creations that my students have completed. We love Show and Tell at classes and workshops. Enjoy!

Left: Linda accented a red Retro Cloche from Knitting in the Round with black trim.
She also knit a coordinating red scarf to go with it.
Right: Sharon used a zigzag lace pattern for this cute hat.

My talented students have other needle art skills as well. This is a crocheted baby blanket. Lovely!

A beautiful baby blanket crocheted by Marie.

We even knit for our 4-legged furry friends. Here are two doggie sweaters, knit by Jane, that any fashion-forward dog would be proud to wear.

Jane's colorwork dog sweater. Notice the pocket on the top of this sweater.

A sporty striped dog sweater for the same lucky little dog.

Knitting the Sky—April skies

Sky Scarf: January through April skies.

This is 4 months of the 2012 Sky Scarf project. The last week of April brought cool, pleasant temperatures perfect for working in the garden and knitting outside. The lavender in the garden is knee high. April 30 gently blended into the first day of May.