Sunday, July 12, 2026

Don’t play Yarn Chicken with the second mitten

Every knitter knows that feeling… 

Starting the second mitten. Will there be enough yarn?

You’re happily knitting along with a small ball of leftover yarn… watching the ball get smaller and smaller, while trying to convince yourself there’s probably enough left to get to the bind-off. It’s the classic game knitters know as Yarn Chicken—and sometimes [unfortunatly], the yarn wins. Sometimes you lose by just a few yards. 

And, when you’re knitting mittens, there’s nothing more frustrating than completing one mitten only to discover you’re a few rounds short of finishing its mate. 

Just enough yarn to make the mitten hands. What to do for the thumbs?

My Mitten Project 

In March, I began knitting children’s mittens for a charity project. With a box of left-over skeins, there was plenty of yarn to finish several pair. Lately, however, I’ve been working with smaller and smaller amounts of yarn. I’ve also unravelled some knit swatches to repurpose that yarn, too. Those small bits offer opportunities for colorwork cuffs, stripes, a simple fair isle pattern, or a contrasting thumb.

Knit swatches are unravelled and the yarn repurposed for mittens.

However, with some of these smaller amounts, I felt in my gut the age-old question: “will there be enough yarn to finish that second mitten?” I knew then that I needed a better strategy rather than stressing about how I would have to “ad lib” a design to finish a cohesive-looking pair. After all, this mitten project is supposed to be a stress-free zone! 


The solution to winning at Yarn Chicken

Simple: each mitten needs its own ball of yarn! Working with two balls with the same amount of yarn circumvents the yarn chicken game. So now, when I look at those smaller yarn cakes or half-used skeins, I unwind the yarn and butterfly or wind it into two balls of equal length. 

Rewinding small amounts of yarn into two separate balls.

One ball is used for the first mitten, and the second ball is saved for its mate. If I use up the yarn on the first mitten to achieve a particular design, I make note of the row/round count so I know exactly how to knit the second mitten. No losing at Yarn Chicken for me! 

A four-yarn pair of mittens.
The self-patterning yarn was salvaged from a swatch (see swatch photo above).

Playing with color

The best part of this mitten project is playing with color. Every pair is unique. A cuff from one leftover skein, the hand from another, and perhaps a contrasting thumb create cheerful combinations I probably would never have planned if I’d started with full skeins. 

It’s especially satisfying to transform leftovers into something both practical and beautiful. Every little ball has potential, and every finished pair represents warmth, kindness, and the simple pleasure of making by hand. Those once-forgotten orphan yarns are becoming bright, one-of-a-kind mittens that I hope their recipient will enjoy wearing. 

Used to the very end! Only 30” of yarn remaining.
The colorwork pattern at the top of the mitten was an added bonus.

The mitten goal

Although I’ve already exceeded the number of mittens I hoped to donate this year, I find myself reaching for those little leftover balls again and again—enjoying the challenge of creating fresh color combinations.

The remaining length of the green yarn was used at the base of the thumb.
The green contrasting yarn completed the thumb.

How many pair of mittens can come from yarn that might otherwise have remained in the leftover yarn box? I’m at 33 pair and still counting. 

And, I’ve learned there’s an easy way to win at Yarn Chicken, even before the game begins: 

  1.  divide the yarn first, 
  2.  knit with confidence, and
  3.  enjoy the making process! 

I don’t stress about playing Yarn Chicken for the second mitten.


Saturday, July 4, 2026

Happy Birthday, America

Celebrating the nation’s semiquincentennial today.

Page spread from Junk Journal.

Remembering and reflecting on the 250-year journey—the sacrifices, times of celebration, times of strife and struggle, people, places, cultures, and historythe generations that preceded us endured that got our country to this day. 

May God bless America.


Sunday, June 28, 2026

Getting ready for Junk Journal July

On Earth Day this past April, I made a junk journal in anticipation for Junk Journal July 2026—which is about to start in a few days. (It feels good to be ahead of the game this time!)

Junk Journal July 2026 prompts.

In the past, I followed the prompts from @MegJournals but I think she stepped away from hosting the JJJ Challenges a year or so ago. So for this summer’s Junk Journal Challenge, I decided to “ask the box” for various creative prompts to curate my own prompt list. 

For anyone that is new to the Junk Journal Challenge and wants to play along with me, I made the prompts practical and easily interpreted. For folks in the US, I intentionally chose the prompt, “patriotic,” for July 4—which should allow for numerous options for a journal page.

What is the Junk Journal Challenge?

Junk Journal July is a fun, creativity challenge that goes from July 1 through July 31. The junk journal encourages recycling and repurposing found materials and supplies [aka “junk”] such as junk mail, paper bags, envelopes, brochures, and other ephemera. 

My new junk journal for Junk Journal July 2026.

My junk journal is an 8” x 8” format with seven signatures (including the front and back covers) that is coptic bound. The pages/signatures are [mostly] from the recycle bin—old sales brochures, catalog pages, packaging paper, brown paper bags, envelopes from the mail… with a couple of sheets of pristine mixed media and watercolor papers.

Inside pages of my new junk journal.

Paper scraps, images, text, fabric bits, and other ephemera are then combined with a myriad of art supplies and drawing/painting utensils to interpret a daily prompt—or to just fill up a page in the journal for fun with no regard to the prompt. The Junk Journal Challenge is similar to the 100 Day Project in that it gets you in the habit of doing something creative on a regular basis.

There are No Rules!

There are no rules and there are no judges. You can use the prompts for inspiration or do your own thing. Sometimes my journal entry is one page, but it can also be a page spread (two pages). Sometimes I combine two prompts in a single entry. There are no rules, just play! You’re doing it right if you’re having fun.

Two pages from my Junk Journal January 2025.

The junk journal is also a vehicle for trying out different techniques or new art supplies with no expectations. Found something intriguing at the art supply store? Did you come across an interesting technique tutorial online? Bought a few new paints or markers on sale? This is your opportunity to give them a test drive.

A two-page spread from Junk Journal July 2025.

Prepping for a month of Junk Journaling

With the start of July in just a few short days, here are a few warm-up exercises that get me excited to start a new junk journal and into the journaling groove:

  • research quotes or poems related to the prompts. This can provide a direction in which to respond to a prompt and a source for hand lettering. 
  • gather paper scraps and ephemera and tuck them into envelopes or boxes for collage fodder. 
  • fussy-cut images and/or words from calendars, junk mail, catalogs, etc. for collage fodder. 
  • pull out your paints and brushes and paint backgrounds on the journal pages. An interesting/colorful page is more approachable than a daunting blank white page. 

  • pull out those new art supplies you’ve been curious to try. 

  • replenish the supply of glue sticks.

The junk journal work table.

My 7th junk journal

The junk journal for July 2026 will be my 7th junk journal. I’ve done both the Junk Journal Challenge in January and in July the past few years and they have all been fun. This Challenge helps me be accountable and devote time to my art practice.

It’s time to get messy and have some journaling fun again.


Thursday, June 25, 2026

Pop-up bookmaking and Make Nine finish #5

I recently returned from a week-long studio intensive on Dimensional Books. It was a fabulous workshop with the funny and talented Beauvais Lyons, Chancellor’s Professor and Divisional Dean for Arts and Humanities at University of Tennessee, Knoxville, and hosted by Shakerag Workshops.


Remembering paste-up, mechanicals, and rubber cement

For me, the workshop was reminiscent of my early career working in design studios and commercial printing companies (all good memories) doing paste-up using an X-acto knife, Rapidograph pens, and rubber cement—although with the pop-ups, we used glue sticks. 

Professor Lyons showed workshop attendees an abundance of pop-up folds and cut-outs. It was a paper-lover’s dream!

Various pop-up examples.

The paper engineering aspect—using parallel and angled folds and cutswas intriguing and provided myriad artistic and narrative possibilities for books, folios, and cards.

Beauvais Lyons showing a complex pop-up from a published book.

Examples, demonstrations, and inspiration galore

The workshop was jam-packed with pop-up exercises and dimensional book projects, including accordion and carousel book formats. In addition, Professor Lyons showed examples, videos, and slides of his work and work of other professional artists in the field of dimensional books. Workshop attendees did not lack for inspiration! The mess on the work table is proof of this.

Productivity and the mess on the work table.

Each day’s work was displayed in the common area for students in our class, as well as students in other studios, to see what we were learning and doing.

Daily discussions about work in progress.

There were demonstrations for many of the paper structures. This one is about the floating planes, a versatile and useful pop-up that accommodates different shapes and asymmetrical as well as symmetrical layouts.

Demonstration of the floating plane pop-up.

A carousel book example (top view).

As the week progressed, we spent more time in the studio after class time… trying to soak up as much information and accomplish as much as possible on our projects.

My table mate, Lauren, working on her carousel book.

At the end of the week, the work tables were filled with samples and projects.

Show and Tell of my projects at the end of the week.

My finished accordion book, Chill and Grill (below), is a mixed media piece with pop-ups, collage, and watercolor.

“Chill and Grill” accordion artist book (front cover).

“Chill and Grill” inside panels with pop-ups.

I also have a piece using the carousel format and a collection of pop-up folding examples and test pieces that I can use for reference.


Make Nine 2026 Bookmaking prompt

For this year’s Make Nine Challenge, I included a “Bookmaking” prompt… and I’m happy that the inclusion of this topic has been realized. This Dimensional Books workshop has opened the “book” (wink, wink) for so many paper, mixed media, and creative possibilities. I’m excited to continue the exploration.

Below is my 2026 Make Nine tracker as of mid-June…

Make Nine Tracker, June 2026.

… showing the Bookmaking prompt fulfilled.

Make Nine 2026, Bookmaking prompt.

Workshop Friends are the Best!

Here are fellow classmates, Becky and Lauren, who shared this wonderful experience with me. We’ve had several workshops together over the years and it’s always a fun time to reconnect with these multi-talented artists.

From left: Becky, Lauren, and me.
Dimensional Books workshop 2026


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