Saturday, May 10, 2025

100 Day Project, Stitch Book 2025: a Make Nine finish

In January of 2021, I discovered the 100 Day Project. Since then, I have successfully completed eight of them—including this year’s 100 Day Stitch Book 2025 with Ann Wood. I am counting this project as a Make Nine finish.

100 Day Stitch Book 2025.

Slot-and-tab book binding

The 4-page slot-and-tab signatures are finished and the Stitch Book is assembled. The cover (which was not part of the Stitch Book instructions but was added) was embroidered with “100 day Stitch Book” and the year to document the project. Here are few of the inside page spreads, starting with the first page.

Inside front cover and page 1 of the Stitch Book 2025.

I think a few of the spreads look very cohesive, especially those that had the same background fabric.

Two-page spread of the 100 Day Stitch Book 2025.

As the 100 Day Project progressed, I referenced previously stitched pages and began thinking about side-by-side pages (page spreads). Even though these pages were stitched at different times (not consecutively), the page spread looks intentional.

Two-page spread of the 100 Day Stitch Book 2025.

Two-page spread of the 100 Day Stitch Book 2025.

Two-page spread of the 100 Day Stitch Book 2025.

Here is the last page and the back cover.

Last page and inside back cover of the 100 Day Stitch Book 2025.

Things I learned from making the Stitch Book

The assembling of the pages into the slot-and-tab book structure was quite interesting but somewhat challenging. Were I to make another book with the slot-and-tab construction, here are tips and things I would consider:

  • Leave more unstitched margins on the page perimeter. The pages with appliquéd fabrics added to the bulk—especially at the gutter—causing a few pages to not lie as flat as they could have.
  • I think less pages would make a better, flatter book. I think an 8-page or 12 page book would be good to try. Or a book with a larger page size.
  • Thankfully I added 1 inch to the width of the front and back covers. This allowed the covers to extend past the interior pages. Note: the front and back covers actually wrap around and create the spine of the book, so extra fabric is needed.
View of the slot-and-tab book spine.

View of the stitch book spine.

  • For a future book, I would make the “tab” pages with a slightly deeper tab, and the “slot” pages with a slightly larger slot. The initial page assembly of my book was tight and I unpicked a few stitches to accommodate a little bit of “wiggle room.”
  • This is a fun scrap buster project. I used four different fabrics I had in my stash for the base pages. With planning, it would be interesting to use the same fabric for all of the pages.
  • I would also plan to have front and back covers for the book and incorporate this into the initial design of the book.

A perfect improvisational, stash-busting project

The 100 Day Stitch Book was a good project to use up scraps and random bits of fabric cut-offs. Since this was an “improvisational” themed project, I used scraps specifically from my improv quilts over the years (I’m glad I saved cut-offs from those projects). In addition to scraps from my improv quilts, I incorporated students’ scraps from the “inventory department” of my recent Intro to Improv Quilting class as the Folk School

I also used random lengths of embroidery floss, yarn, and perle cotton for the improv stitching and enjoyed researching potential stitches from embroidery books in my library.

Top view of slot-and-tab fabric stitch book.


Make Nine finish: a Wild Card prompt

My 100 Day Stitch Book is fulfilling one of the Wild Card prompts for Make Nine 2025. It was a great 100 Day Project and I would do it again.

Make Nine 2025 Wild Card prompt.

This is the 4th documented completed project for Make Nine 2025.

Make Nine 2025 tracker. 



Sunday, May 4, 2025

Assembling the 100 day Stitch Book with the Slot-and-Tab binding method

Last weekend, I completed the final page—number 20—of the  100 Day Stitch Book 2025, a 100 day stitch challenge with Ann Wood. The next step was to use the slot-and-tab binding method to put the stitched pages into book form.

Twenty hand stitched pages for the 100 Day Stitched Book 2025.

Pagination for the Slot and Tab binding method

As someone who studied printing technology, publishing, and bookmaking, I quickly noticed the slot-and-tab binding method does not follow the standard page imposition like traditional book signatures. The number of pages does need to be a multiple of four, but the 4-page folios do not follow the traditional pagination scheme. Slot and Tab binding… a new bookmaking method for me to learn! Ann provides a pagination guide for the Stitch Book challenge on her blog.

Individual pages for the Stitch Book 2025 with the pagination guide.

For the pagination, I considered keeping the pages in the date order of when they were created. But upon laying out and examining all the pages together, several of them lent themselves to cohesive 2-page spreads—which I found more appealing.

Determining page spreads.

As recommended by Ann, I used painter’s tape to number each page as it would appear in the book sequence.

Labeling the book pages.

Adding a cover to my stitch book required a new folding dummy

I also wanted a cover for my book. I had large scrap of a cotton/linen fabric (white fabric with blue rings shown below) from this Berwick Street shirt that I made. It was large enough to cut out covers for the Stitch Book. The covers were cut about 1” wider to accommodate the book’s spine and to make sure the inside pages of the book were covered when the book was closed.

White and blue cotton/linen fabric cover for the stitch book.

With the addition of four more pages—the front and back outside covers, and the inside front and inside back covers—the pagination scheme needed to be updated (my book has 24 pages instead of 20). I made a classic folding dummy (with paper) to determine the page sequence and accommodate the extra four pages.

Using the paper folding dummy to determine the slot-and-tab folios.

Sewing the slot and tab folios

Following Ann’s instructions and using her page template, the pages were sewn into either a slot or tab format.

Sewing the four-page tab and slot folios.

The next steps are turning the signatures right side out and assembling the book. Stay tuned for more Stitch Book assembly.


Sunday, April 27, 2025

Free-motion quilting with marking? Follow the patchwork!

Sometimes—maybe more often than not—it’s a quandary choosing a quilting pattern for a quilt top. An all-over pattern with curves, loops, or circles? A combo design of swirls and feathers or double-circles? What to do? 

With this scrappy wreath block quilt top, I decided to “follow the patchwork.”

How to quilt this top? Follow the patchwork!

Free-motion quilting without marking the quilt top

I admit it. I am a “lazy quilter.” If I don’t have to mark a design on a quilt top, I don’t have to 

  1. take the time to mark the top, and 
  2. I don’t have to remove the marks once I’m finished with the quilting. 
“More free-motion quilting time, less mark time!” is my philosophy for finishing quilts, especially charity quilts.

So, by examining this quilt top, I determined the patchwork was a wonderful candidate for mark-free machine quilting. The wreath blocks were well-defined and the solid setting (no sashing between the blocks) offered an opportunity for a continuous quilting path around the quilt.

Wreath blocks.

A continuous line quilting path: the blocks

For continuous line quilting, first you have to determine a way to quilt each block without tie-offs and having to quilt each block individually. For each wreath, a continuous line of loops could get me around the block. I started in the ditch with the lower part of the loop and continued quilting loops clock-wise (or counter-clockwise) around the block until meeting back at the starting point (see black line below).

The loop pattern (black line) around the wreath and the spiral pattern (green line)
in the center of the block.

Once the stitching line met back at the beginning of the pattern, I stitched in the ditch to travel to the center of the block—the hole of the wreath (see green line above). A spiral of straight lines (rather than circular) started at the perimeter and then spiraled inward to the center. Another stitch-in-the-ditch allowed for a path out of the center and on to the next block.

A continuous line quilting path across the quilt top

Then you have to figure out a way to get from one block to the next to make your way around the quilt.  Working from the middle of the quilt outward, I dropped the needle at the block in the second row in the center column (see black line below). At the bottom of that column, I took a turn and quilted the blocks on the one side of the quilt. Once at the top, I took another turn, quilted across the top and then quilted the remaining side.

Mapping a continuous line quilting path.

Any unquilted intersections (where the corners of four blocks met) were quilted with another pass (green lines above).

Back side of the quilt showing the quilting.

Quilting the borders

The borders were quilted with a continuous zigzag pattern. At the corners, a loop (similar to the loops in the wreath blocks) allowed for the change in direction (quilting path) to the next side. It was another continuous line of free-motion quilting around the perimeter of the quilt.

Quilting pattern at the coreners.

Taller zigzags stretched into the unquilted spaces when needed.

Varying the height of the zigzags around the border.

So, with four quilting passes—three in the center plus the border quilting—this scrappy wreath quilt top is quilted—with no marking needed. The free-motion quilting took 45 minutes!

Quilting view from the back.

Trimmed quilt.

The binding is prepared and will be attached by machine.

Binding for the wreath block quilt.

Take a little time to examine the patchwork and layout of your next quilt top. With a little analysis, a map for the quilting path(s), you can free-motion quilt without marking the quilt top. Just follow the patchwork!



Sunday, April 20, 2025

Happy Easter, 2025


Stan Leigh kitty checks out the Bunny Bag.

Enjoy the day!


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